When You Wish Upon A Star
by Leigh Harline

" When You Wish Upon A Star " is the signature song written by Leigh Harline and Ned Washington for Walt Disney's 1940 adaptation of Pinocchio. The original version was sung by Jiminy Cricket (Cliff Edwards) and is heard over the opening credits and in the final scene of the film. The song was universally praised upon its release. With its theme relating to wishes, dreams, and magic—all of which are synonymous with the Disney brand—the song has since become the anthem for the Walt Disney Company, most famously playing alongside the logo of Walt Disney Pictures before a film.

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Lyrics

Theme Of The Bells
by Mozart

" Theme Of The Bells " is a theme from Mozart’s opera The magic Flute.
ACT ONE
Scene One
A young prince named Tamino is being chased by a serpent through a valley. After he falls unconscious, three ladies emerge from a temple and kill the snake. Tamino awakens and assumes the snake was killed by a good-natured bird catcher named Papageno who has just arrived on the scene. When Papageno accepts the credit, the three ladies reappear and place a padlock on his lips. They then show Tamino a picture of Pamina, the beautiful daughter of their mistress, the Queen of the Night. He immediately falls in love with her. They then tell him she has been kidnapped by the evil magician Sarastro. The Queen appears and asks Tamino to rescue Pamina, which he agrees to do. The ladies free Papageno and give him a magic set of chimes. They also give Tamino a magic flute and send the two off on their mission.
Scene Two
Pamina is being guarded by a villain named Monostatos, who is attempting to seduce her when Papageno wanders in. Frightened, Monostatos runs off, leaving Papageno to tell Pamina that her rescuer is close by.
Scene Three
Tamino is being led through Sarastro’s realm by three boys. He tries to enter the three temple doors, but is turned away from two. At the third, he is greeted by a priest, who tells him the Queen is really the evil one and the good Sarastro was merely trying to get Pamina away from her mother’s dark influence. Tamino rushes off to find Pamina; a moment later, she and Papageno enter, pursued by Monostatos. Papageno plays his magic bells, rendering the villain and his henchmen harmless. Sarastro enters and tells Pamina she is free to marry but not to return to her mother. Tamino is brought in by Monostatos, who demands a reward from Sarastro but instead gets punished.
ACT TWO
Sarastro informs the priests of Isis and Osiris about what is going on and explains that Tamino and Papageno are about to undergo the rites of initiation to determine if they are worthy to enter the Temple of Light. Tamino, who is brave, and Papageno, who is not, receive contradictory counsel from the priests and the Queen of the Night’s three ladies, but they decide to follow the priests, who take away the flute and bells from the pair. Monostatos attempts one last seduction of Pamina, but he is interrupted by the Queen who comes to her daughter and demands that she murder Sarastro. Instead, Pamina goes to Sarastro and begs forgiveness for her mother; he agrees, declaring that only love, not vengeance, will lead to peace and happiness. As part of their tests, both Tamino and Papageno are sworn to silence. An old woman approaches Papageno declaring that she is really eighteen years old and in love with him. She runs away, but three boys appear and give back to Tamino and Papageno the magic flute and bells. Pamina arrives, but she misunderstands Tamino’s silence and is heartbroken. Sarastro reassures her, but she is not comforted. Papageno says that he wants a sweetheart, and the old woman returns and reveals herself to be a young woman in disguise. Her name: Papagena. As soon as she reveals herself, however, a priest orders her away. Meanwhile, Pamina is about to commit suicide using the dagger her mother gave her to kill Sarastro. The three boys stop her and take her to Tamino, who is about to undergo the final trial. Pamina and Tamino go through the ordeal together, emerging unscathed thanks to the magic flute. Papageno rather reluctantly attempts to hang himself. Seeing this, the three boys suggest he play his magic bells. He does and Papagena appears; the two declare their intent to raise a large family. Meanwhile, Monostatos has joined forces with the Queen of the Night, but their plan to kill Sarastro is foiled by an earthquake. The opera ends with Sarastro, Tamino, and Pamina celebrating the victory of light over darkness.

[video width="640" height="360" mp4="https://www.easypianoonline.com/wp-content/uploads/2020/01/ThemeOfTheBells_MagicFlute.mp4"]

Hero
by Chad Kroeger

" Hero " is a song recorded by Chad Kroeger (lead vocalist of Nickelback) and Josey Scott (then lead vocalist of Saliva) for the soundtrack to the 2002 film Spider-Man. It was written by Kroeger and recorded specifically for the film. "Hero" was released through Roadrunner Records on March 1, 2002 as the soundtrack's lead single. The song serves as Kroeger's debut solo release.
There are two widely-available versions of the song: one with an orchestral background and one without. Mike Kroeger (bassist of Nickelback), Tyler Connolly (lead singer/guitarist of Theory of a Deadman), and Matt Cameron (drummer of Soundgarden) appear on the recording. In addition to its digital release, "Hero" was distributed internationally in various CD single and maxi single formats. Theory of a Deadman's "Invisible Man" was included on many of these releases.
"Hero" experienced worldwide commercial success, peaking in the top 10 of record charts in Austria, Canada, Denmark, Germany, Ireland, New Zealand, Sweden, Switzerland, the United Kingdom, and the United States. The song also topped the US Billboard Mainstream Rock and Modern Rock airplay charts. It was nominated for Best Song Written for a Motion Picture, Television or Other Visual Media, Best Rock Performance by a Duo or Group with Vocal; and Best Rock Song at the 45th Grammy Awards (2003).

[video width="640" height="360" mp4="https://www.easypianoonline.com/wp-content/uploads/2020/01/Hero_SpiderMan.mp4"]

Lyrics

I am so high, I can hear heaven
I am so high, I can hear heaven
Whoa, but heaven no, heaven don't hear me

And they say
That a hero could save us
I'm not gonna stand here and wait
I'll hold onto the wings of the eagles
Watch as we all fly away

Someone told me
Love would all save us
But, how can that be
Look what love gave us

A world full of killing
And blood spilling
That world never came

And they say
That a hero could save us
I'm not gonna stand here and wait
I'll hold onto the wings of the eagles
Watch as we all fly away

Now that the world isn't ending
It's love that I'm sending to you
It isn't the love of a hero
And that's why I fear it won't do

And they say
That a hero could save us
I'm not gonna stand here and wait
I'll hold onto the wings of the eagles
Watch as we all fly away

And they're watching us
They're watching us
As we all fly away

And they're watching us
They're watching us
As we all fly away

And they're watching us
They're watching us
As we all fly away

Songwriters: Chad Kroeger

Die Forelle
by Franz Schubert

" Die Forelle " (German for "The Trout"), Op. 32, D 550 is a lied, or song, composed in early 1817 for solo voice and piano with music by the Austrian composer Franz Schubert (1797–1828). Schubert chose to set the text of a poem by Christian Friedrich Daniel Schubart, first published in the Schwäbischer Musenalmanach in 1783. The full poem tells the story of a trout being caught by a fisherman, but in its final stanza apparently reveals its purpose as a moral piece warning young women to guard against young men.
In reality, the poem was an analogy on the fate of its writer, the poet Schubart, who for many years was imprisoned for his criticism of absolute rule in Württenberg. The last «didactic» verse was added to make the parallel less obvious.
When Schubert set the poem to music, he removed the last verse, which contained the «moral», and in order to prevent any attempt by posterity to reintroduce it, he gave the song a closed A–B-A form. In the new version the poem can be interpreted both as a tribute to the beauty of nature and a defence of the right of free speech.
The effect was also a change in the song's focus, at the same time enabling it to be sung by both male and female singers. Schubert produced six subsequent copies of the work, all with minor variations.

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Lyrics

In a little brook bright shot in a happy hurry,
In einem Bächlein helle da schoß in froher Eil,

The capricious trout passed like an arrow.
Die launische Forelle vorüber wie ein Pfeil.
I stood on the bank and saw in sweet calm
Ich stand an dem Gestade und sah in süßer Ruh

The cheeky Fischlein bathes in the clear brook.
Des muntern Fischleins Bade im klaren Bächlein zu.
A fisherman with the rod was probably standing on the bank,
Ein Fischer mit der Rute wohl an dem Ufer stand,

And saw with cold blood how the little fish twisted.
Und sah's mit kaltem Blute, wie sich das Fischlein wand.
As long as the water is bright, I thought, not broken
So lang dem Wasser Helle, so dacht ich, nicht gebricht,

So he doesn't catch the trout with his fishing rod.
So fängt er die Forelle mit seiner Angel nicht.
But finally time was too long for the thief.
Doch endlich ward dem Diebe die Zeit zu lang.

He makes
Er macht

The brook treacherously cloudy and before I thought it
Das Bächlein tückisch trübe, und eh ich es gedacht,

So his tail twitched, the little fish fidgeted,
So zuckte seine Rute, das Fischlein zappelt dran,

And I looked at the betrayed girl with brisk blood.
Und ich mit regem Blute sah die Betrogene an.
You who dwell at the golden spring of safe youth
Die ihr am goldenen Quelle der sicheren Jugend weilt,

Think of the trout, you see danger, so hurry!
Denkt doch an die Forelle, seht ihr Gefahr, so eilt!
Most of the time she's just missing for lack of prudence, girl, see
Meist fehlt ihr nur aus Mangel der Klugheit, Mädchen, seht

Angel seduce!
Verführer mit der Angel!

Otherwise you will bleed too late!
Sonst blutet ihr zu spät!

Songwriters: Franz Schubert, Christian Friedrich Daniel Schubart