LESSONS

Wonder Woman 1970 - Charles Fox

Wonder Woman
1970s Theme
(Charles Fox)

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Wonder Woman
1970s Theme
by Charles Fox

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" Wonder Woman " is an American action superhero television series based on the DC Comics comic book superhero of the same name. The show stars Lynda Carter as Wonder Woman/Diana Prince and Lyle Waggoner as Steve Trevor Sr. & Jr. It originally aired for three seasons from 1975 to 1979.[1] The show's first season aired on ABC and is set in the 1940s during World War II. The second and third seasons aired on CBS and are set in the 1970s, with the title changed to The New Adventures of Wonder Woman, and a complete change of cast other than Carter and Waggoner. Waggoner's character was changed to Steve Trevor Jr., the son of his original character.

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Lyrics

Wonder Woman

Wonder Woman!
Wonder Woman!

All the world is waiting for you,
And the powers you possess,
In your satin tights,
Fighting for your rights,
And the old red, white and blue!

Wonder Woman!
Wonder Woman!

Now the world is ready for you,
And the wonders you can do.
Make a hawk a dove,
Stop a war with love,
Make a liar tell the truth!

Wonder Woman!
Get us out from under.
Wonder Woman!

All our hopes are pinned upon you,
And the magic that you do.
Stop a bullet cold,
Make the Axis fold,
Change their minds,
And change the world!

Wonder Woman!
Wonder Woman!

You're a wonder!
Wonder Woman!

Songwriters: Charles Fox & Norman Gimbel

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The Very Thought Of You - Ray Noble

The Very Thought Of You
(Ray Noble)

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The Very Thought Of You
by Ray Noble

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" The Very Thought Of You "  is a pop standard that was recorded and published in 1934 with music and lyrics by Ray Noble. The song was first recorded by Ray Noble and His Orchestra with Al Bowlly on vocals for HMV in England in April 1934. This record was then released in the United States by Victor, and it reached number one on the pop music charts. innovations of Haydn.

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Lyrics

The Very Thought Of You

The very thought of you and I forget to do
The little ordinary things that everyone ought to do
I'm living in a kind of daydream
I'm happy as a king
And foolish though it may seem
To me that's everything

The mere idea of you, the longing here for you
You'll never know how slow the moments go till I'm near to you
I see your face in every flower
Your eyes in stars above
It's just the thought of you
The very thought of you, my love

The mere idea of you, the longing here for you
You'll never know how slow the moments go till I'm near to you
I see your face in every flower
Your eyes in stars above
It's just the thought of you
The very thought of you, my love

Songwriters: Ray Noble

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The Impossible Dream - Mitch Leigh

The Impossible Dream
(Mitch Leigh)

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The Impossible Dream
by Mitch Leigh

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" The Impossible Dream " is a principal song from the 1965 musical “Man of La Mancha”, with the bookwritten by Dale Wasserman, lyrics by Joe Darion, and music by Mitch Leigh. It is adapted from Wasserman's non-musical 1959 teleplay I, Don Quixote, which was in turn inspired by Miguel de Cervantes and his 17th-century novel Don Quixote. It tells the story of the "mad" knight Don Quixote as a play within a play, performed by Cervantes and his fellow prisoners as he awaits a hearing with the Spanish Inquisition.The work is not and does not pretend to be a faithful rendition of either Cervantes' life or Don Quixote. Wasserman complained repeatedly about people taking the work as a musical version of Don Quixote.
The original 1965 Broadway production ran for 2,328 performances and won five Tony Awards, including Best Musical. The musical has been revived four times on Broadway, becoming one of the most enduring works of musical theatre. The principal song, "The Impossible Dream", became a standard.

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Lyrics

The Impossible Dream

To dream the impossible dream
To fight the unbeatable foe
To bear with unbearable sorrow
And to run where
The brave dare not go
To right the unrightable wrong
And to love, pure and chaste from afar
To try when your arms are too weary
To reach the unreachable star
This is my quest
To follow that star
No matter how hopeless
No matter how far
To fight for the right
Without question or pause
To be willing to march
March into hell
For that heavenly cause
And I know
If I'll only be true
To this glorious quest
That my heart
Will lie peaceful and calm
When I'm laid to my rest
And the world will be
Better for this
That one man, scorned
And covered with scars
Still strove with his last
Ounce of courage
To reach the unreachable
The unreachable
The unreachable star
And I'll always dream
The impossible dream
Yes, and I'll reach
The unreachable star

Songwriters: Joe Darion / Mitchell Leigh

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PS I Love You - The Beatles

PS I Love You
(The Beatles)

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PS I Love You
by The Beatles

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" P.S. I Love You " is a song recorded by English rock band the Beatles in 1962. It was composed principally by Paul McCartney[1] (credited to Lennon–McCartney), and produced by Ron Richards. The song was released in the UK on 5 October 1962 as the B-side of their debut single "Love Me Do" and is also included on their debut album Please Please Me (1963). It was later included on the American release Introducing The Beatles (1964), its reissue The Early Beatles (1965), and the Beatles compilation album Love Songs (1977).

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Lyrics

P.S. I Love You

As I write this letter, send my love to you
Remember that I'll always be in love with you
Treasure these few words 'til we're together
Keep all my love forever
P.S. I love you, you, you, you

I'll be coming home again to you, love
And 'til the day I do, love
P.S. I love you, you, you, you

As I write this letter, send my love to you
Remember that I'll always be in love with you
Treasure these few words 'til we're together
Keep all my love forever
P.S. I love you, you, you, you

As I write this letter (oh)
Send my love to you (you know I want you to)
Remember that I'll always be in love with you

I'll be coming home again to you, love
And 'til the day I do, love
P.S. I love you, you, you, you
You, you, you
I love you

Songwriters: John Lennon / Paul Mccartney

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Mission Impossible Theme - Lalo Schifri

Mission Impossible Theme
(Lalo Schifrin)

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Mission Impossible Theme
by Lalo Schifrin

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" Theme from Mission: Impossible "is the theme tune of the TV series Mission: Impossible (1966–1973). The theme was written and composed by Argentine composer Lalo Schifrin and has since gone on to appear in several other works of the Mission: Impossible franchise, including the 1988 TV series, the film series and the video game series.

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I Believe In You - Frank Loesser

I Believe In You
(Frank Loesser)

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I Believe In You
by Frank Loesser

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" I Believe In You " is a 1961 song written by Frank Loesser for his musical How to Succeed in Business Without Really Trying, where it was introduced by Robert Morse. The protagonist of the musical, J. Pierrepont Finch, sings the song to himself in the mirror while shaving. In the movie version, Rosemary (played by Michele Lee) also sings it to Pierrepont (again played by Morse).

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Lyrics

I Believe In You

You have the cool clear eyes of a seeker of wisdom and truth,
Yet there's that upturned chin and the grin of impetuous youth,
I believe in you, I believe in you.
I hear the sound of good solid judgment whenever you talk,
Yet there's that bold, brave, spring of the tiger that quickens your walk,
I believe in you, I believe in you.
And when my faith in my fellow man all but falls apart,
I've but to feel your hand grasping mine, and I take heart,
I take heart to see the cool clear eyes of a seeker of wisdom and truth,
Yet there's that slam, bang, tang, reminiscent of gin and Vermouth,
Now I believe in you, I believe in you.
I believe in you, I believe in you, I believe, I believe in you.

Songwriters: Frank Loesser

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Brave - Sara Bareilles

Brave
(Sara Bareilles)

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Brave
by Sara Bareilles

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" Brave " is a song by American singer-songwriter Sara Bareilles, taken from her fourth studio album, The Blessed Unrest (2013). The song was written by Bareilles and Jack Antonoff from the band fun., as the singer was inspired from the struggles that a close friend dealt with in regard to coming out as gay. Bareilles requested Mark Endert to produce it with the explicit goal of radio airplay. "Brave" was released worldwide through digital download on April 23, 2013, as the lead single from the album, through Epic Records.
"Brave" received positive reviews from music critics, with one writing that Bareilles channels singers like Fiona Apple and Florence Welch. Some critics also compared pop singer Katy Perry's single "Roar" to the song. "Brave" became Bareilles' third top 40 hit in the United States, peaking at number 23, and reached number three in Australia, her highest-charting single in the country to date. The single also reached number four in New Zealand, number 26 in South Korea, number 48 in the United Kingdom, number 58 in Canada, and number 88 in Japan. The song was covered by Lea Michele and Naya Rivera on the 97th episode of the musical series Glee, which aired on February 25, 2014.

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Lyrics

Brave

You can be amazing
You can turn a phrase into a weapon or a drug
You can be the outcast
Or be the backlash of somebody's lack of love
Or you can start speaking up
Nothing's gonna hurt you the way that words do
And they settle 'neath your skin
Kept on the inside and no sunlight
Sometimes a shadow wins
But I wonder what would happen if you

Say what you wanna say
And let the words fall out
Honestly I wanna see you be brave

With what you want to say
And let the words fall out
Honestly I wanna see you be brave

I just wanna see you
I just wanna see you
I just wanna see you
I wanna see you be brave

I just wanna see you
I just wanna see you
I just wanna see you
I wanna see you be brave

Everybody's been there, everybody's been stared down
By the enemy
Fallen for the fear and done some disappearing
Bow down to the mighty
Don't run, stop holding your tongue
Maybe there's a way out of the cage where you live
Maybe one of these days you can let the light in
Show me how big your brave is

Say what you wanna say
And let the words fall out
Honestly I wanna see you be brave

With what you want to say
And let the words fall out
Honestly I wanna see you be brave

Innocence, your history of silence
Won't do you any good
Did you think it would?
Let your words be anything but empty
Why don't you tell them the truth?

Say what you wanna say
And let the words fall out
Honestly I wanna see you be brave

With what you want to say
And let the words fall out
Honestly I wanna see you be brave

I just wanna see you
I just wanna see you
I just wanna see you
I wanna see you be brave

I just wanna see you
I just wanna see you
I just wanna see you
See you be brave

I just wanna see you
I just wanna see you
I just wanna see you
I just wanna see you
I just wanna see you
I just wanna see you

Songwriters: Jack Antonoff / Sara Bareilles

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Dont Let Me Down - The Beatles

Don't Let Me Down
(The Beatles)

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Don't Let Me Down
by The Beatles

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" Don't Let Me Down " is a song by the English rock band the Beatles, recorded in 1969 during the Let It Be sessions. It was written by John Lennon and credited to Lennon–McCartney. The band recorded the song with Billy Preston; the single release with "Get Back" was credited to "the Beatles with Billy Preston." Don't Let Me Down was written by John Lennon as an anguished love song to Yoko Ono, it was interpreted by Paul McCartney as a "genuine plea", with Lennon saying to Ono, “I'm really stepping out of line on this one. I'm really just letting my vulnerability be seen, so you must not let me down.”

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Lyrics

Don't Let Me Down

Don't let me down, don't let me down
Don't let me down, don't let me down
Nobody ever loved me like she does
Oh, she does, yeah, she does
And if somebody loved me like she do me
Oh, she do me, yes, she does
Don't let me down, don't let me down
Don't let me down, don't let me down
I'm in love for the first time
Don't you know it's gonna last
It's a love that lasts forever
It's a love that had no past
Don't let me down, don't let me down
Don't let me down, don't let me down
And from the first time that she really done me
Oh, she done me, she done me good
I guess nobody ever really done me
Oh, she done me, she done me good
Don't let me down, don't let me down
Don't let me down

Songwriters: John Lennon / Paul McCartney

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Best Of Friends - The Fox And The Hound

Best Of Friends
(Richard Johnston)

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Best Of Friends
by Richard Johnston

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" Best Of Friends " is a song featured in the 1981 film The Fox and the Hound. The music was by Richard Johnston, the lyrics were by Stan Fidel, and it was sung by Big Mama (Pearl Bailey). It is about the beauty and magic of friendship, and how Tod and Copper were great friends even though they are supposed to be enemies, for usually, the only place a dog likes a fox is in its stomach. It is also about how sometimes adults can get in the way, not let you play, and can't understand the power of friendship's magic.
The song appears on the VHS Disney Sing Along Songs: Friend Like Me.
The song serves as the theme music to the former Central Plaza Stage show Disney's Showtime Spectacular at Disneyland Park (Paris), it was part of the park's New Generation Festival.

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Lyrics

Best Of Friends

When you're the best of friends
Having so much fun together
You're not even aware, you're such a funny pair
You're the best of friends

Life's a happy game
You could clown around forever
Neither one of you sees, your natural boundaries
Life's one happy game

If only the world wouldn't get in the way
If only people would just let you play
They say you're both being fools
You're breaking all the rules
They can't understand, the magic of your wonderland

When you're the best of friends
Sharing all that you discover
When that moment has past, will that friendship last?
Who can say? There's a way!
Oh I hope... I hope it never ends
'Cause you're the best of friends

Songwriters: Stan Fidel / Richard Oliver Johnston

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All The Things You Are - Jerome Kern

All The
Things You Are
(Jerome Kern)

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JAll The Things You Are
by Jerome Kern

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" All The Things You Are " s a song composed by Jerome Kern with lyrics written by Oscar Hammerstein II.The song was written for the musical Very Warm for May (1939) and was introduced by Hiram Sherman, Frances Mercer, Hollace Shaw, and Ralph Stuart. It appeared in the film Broadway Rhythm (1944).
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Lyrics

All The Things You Are

You are the promised kiss of springtime
That makes the lonely winter seem long
You are the breathless hush of evening
That trembles on the brink of a lovely song
You are the angel glow that lights a star
The dearest things I know are what you are
Some day my happy arms will hold you
And some day I'll know that moment divine
When all the things you are, are mine
You are the angel glow that lights a star
The dearest things I know are what you are
Some day my happy arms will hold you
And some day I'll know that moment divine
When all the things you are, are mine

Songwriters: Jerome Kern / Oscar Hammerstein

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The Point Of No Return - The Phantom Of The Opera

The Point Of No Return
(Andrew Lloyd Webber)

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The Point Of No Return
by Andrew Lloyd Webber

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" The Point Of No Return " is a song from The Phantom of the Opera between the musical's title character, the Phantom, and his love interest, Christine. The song is part of the Phantom's opera, Don Juan Triumphant, which he forces the opera to stage. The title character, Don Juan, is a womanizer whose errant ways condemn him to hell; today, best remembered from the play of the same name by Molière, an opera by Wolfgang Amadeus Mozart, and a poem by George Gordon, Lord Byron. Piangi is supposed to sing the title role, but the Phantom strangles him and takes his place. Christine takes the role of Don Juan's soon-to-be conquest.

The song focuses on the Phantom's seduction of Christine, but, at the end of the song, the Phantom sings a short reprise of "All I Ask Of You", asking that Christine be with him, instead of Raoul. She responds by removing the Phantom's mask, so that the entire audience can see his deformed face. Enraged, he flees the stage with Christine in tow.

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Lyrics

The Point Of No Return

You have come here
In pursuit of your deepest urge
In pursuit of that wish which till now has been silent
Silent
I have brought you
That our passions may fuse and merge
In your mind you've already succumbed to me
Dropped all defenses, completely succumbed to me
Now you are here with me, no second thoughts
You've decided, decided

Past the point of no return
No backward glances
The games we've played till now are at an end
Past all thought of if or when
No use resisting
Abandon thought and let the dream descend
What raging fire shall flood the soul?
What rich desire unlocks its door?
What sweet seduction lies before us
Past the point of no return
The final threshold?
What warm, unspoken secrets will we learn
Beyond the point of no return?

You have brought me
To that moment where words run dry
To that moment where speech disappears into silence
Silence
I have come here
Hardly knowing the reason why
In my mind I've already imagined our bodies entwining, defenseless and silent
And now I am here with you, no second thoughts
I've decided, decided

Past the point of no return
No going back now
Our passion play has now at last begun
Past all thought of right or wrong
One final question
How long should we two wait before we're one?
When will the blood begin to race
The sleeping bud bursts into bloom?
When will the flames at last consume us?

Past the point of no return
The final threshold
The bridge is crossed, so stand and watch it burn
We've passed the point of no return

Songwriters: Lloyd-Webber Andrew / Hart Charles Elliott / Stilgoe Richard Henry Zachary Simpson

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Symphony No7 Allegretto - Beethoven

Symphony No.7
Allegretto
(Ludwig van Beethoven)

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Symphony No.7 - Allegretto
by Ludwig van Beethoven

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" Symphony No.7 " is a symphony in four movements composed by Ludwig van Beethoven between 1811 and 1812, while improving his health in the Bohemian spa town of Teplice. The work is dedicated to Count Moritz von Fries.
At its premiere, Beethoven was noted as remarking that it was one of his best works. The second movement, Allegretto, was the most popular movement and had to be encored. The instant popularity of the Allegretto resulted in its frequent performance separate from the complete symphony.
The second movement in A minor has a tempo marking of Allegretto ("a little lively"), making it slow only in comparison to the other three movements. This movement was encored at the premiere and has remained popular since. Its reliance on the string section makes it a good example of Beethoven's advances in orchestral writing for strings, building on the experimental innovations of Haydn.

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Je Te Veux - Erik Satie

Je Te Veux
(Erik Satie)

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Je Te Veux
by Erik Satie

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" Je Te Veux (“I Want You”) " is a song composed by Erik Satie to a text by Henry Pacory. A sentimental waltz with erotic lyrics, it was written for Paulette Darty, whose accompanist Satie had been for a period of time. The text consists of two verses and a repeated chorus.
The song was registered with SACEM on 20 November 1902, but Roland-Manuel argued it had actually been composed in 1897. Satie composed various versions of the "Je te veux" waltz: for piano and voice, for an orchestra of brass instruments, and for full orchestra (including a trio). The piano and voice version was first published in 1903. The composer later arranged the work for solo piano, adding a middle section between the second chorus and the second verse.
The melody was performed to the public in 1903, at La Scala (not the Milan music hall), then a popular cabaret in Paris. In 1925, the song was recorded with Yvonne George as singer. "Je te veux" was also recorded by Mathé Altéry, Régine Crespin, Gigliola Negri, Nicolaï Gedda, and Davide Bassino, and later by sopranos Jessye Norman, Marie Devellereaum and Angela Gheorghiu.
Jazz vocalist Cécile McLorin Salvant performed the song on Jacky Terrasson's 2012 album Gouache. John Cage instructs the performer to do the piano and voice version as part of his "Sonnekus".

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Lyrics

Je Te Veux

J'ai compris ta détresse
Cher amoureux
Et je cède à tes vœux
Fais de moi ta maîtresse
Loin de nous la sagesse
Plus de tristesse
J'aspire à l'instant précieux
Où nous serons heureux
Je te veux

Je n'ai pas de regrets
Et je n'ai qu'une envie
Près de toi là tout près
Vivre toute ma vie
Que mon corps soit le tien
E ta lèvre la mienne
Que ton coeur soit le mien
Et que toute ma chair soit tienne

J'ai compris ta détresse
Cher amoureux
Et je cède à tes vœux
Fais de moi ta maîtresse
Loin de nous la sagesse
Plus de tristesse
J'aspire à l'instant précieux
Où nous serons heureux
Je te veux

Oui je vois dans tes yeux
La divine promesse
Que ton coeur amoureux
Vient chercher ma caresse
Enlacés pour toujours
Brûlant des mêmes flammes
Dans un rêve d'amour
Nous échangerons nos deux âmes

J'ai compris ta détresse
Cher amoureux
Et je cède à tes vœux
Fais de moi ta maîtresse
Loin de nous la sagesse
Plus de tristesse
J'aspire à l'instant précieux
Où nous serons heureux
Je te veux

English Translation:

I Want You

I have understood your distress,
my dear lover,
and I yield to your desires:
make of me your mistress.
Let modesty be far from us,
no more sadness,
I long for the precious moment
when we shall be happy:
I desire you.

I have no regrets,
and I have but one wish:
close to you, there, so close,
to live all my life.
May my heart be yours
and your lips be mine,
may your body be mine,
and may all of my flesh be yours.

Yes, I see in your eyes
the divine promise
that your loving heart
comes in search of my caress.
Entwined forever,
burning with the same flames,
we will share our souls,
in dreams of love.

Songwriters: Erik Satie / Pacory Henry

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Playlist Classical Music

Playlist: Classical Music

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Playlist of Tutorials for Songs from Classical Music (List Ordered by Song Name) A B C D E F G H I J K L…

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Unravel - Tokyo Ghoul

Unravel
(Toru Kitajima)

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Unravel
by Toru Kitajima

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" Unravel " is the first opening theme for the Tokyo Ghoul anime series and is performed by TK from Ling Tosite Sigure. The song debuted in the first episode as ending and from second episode continued normally as opening. The single track with additional songs from TK was released on July 23, 2014. In the final twelfth episode, there was no opening animation, but a different version of the song with lyrics from the full version not included in the standard.

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Lyrics

Oh won't you tell me
Won't you tell me
This thing I've come to be?

The monster that you see
Is it a part of me?
I'm breaking down and shaking 'round in
This world so helplessly
But you just laugh and grin
Completely blind within

There's no point now, broken anyway
I try to stop my breath
Even knowing the truth won't unravel
Me until my death

Freeze

So breakable, unbreakable
I'm shaking but unshakable
The real you I've found at last

I'm standing alone in this world that keeps on changing
But hiding away, my true self is fading!
I hope you give up
There's nothing left to see...
No, don't look at me
I'm standing in this world that someone imagined
I never want to hurt you, so until the end
I'm begging you, please, just to remember me...
As clear as I used to be

The loneliness that wraps around keeps deepening until I drown
Fond memories we used to share pierce me 'til I no longer care
I cannot run, I cannot hide, I cannot think, I cannot find
I cannot move, I cannot leave you!
Unravelling the world!

A change so illogical
It shouldn't have been possible
But as our lives are intertwined
The two of us are left behind

So breakable, unbreakable
I'm shaking but unshakable
The real you will not corrupt me!

I'm standing alone in this world that keeps on changing
But hiding away, my true self is fading!
I hope you give up
There's nothing left to see...
No, don't look at me
I'm trapped within this world that someone planned out for us
Before our fate and future starts crumbling back to dust
I'm begging you, please, just to remember me...
As clear as I used to be...

No, don't forget me! (x4)

Shocked by how I was changed, I remain paralyzed
Until I have the chance to find my own paradise
I'm begging you, please, just to remember me

Oh won't you please...
Won't you tell me...
The monster that you see
Is it a part of me?
Songwriters: Toru Kitajima

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